We at fae corps publishing are looking for short stories. genre is unimportant. edited is preferred. Though it can be provided in cases of well written stories.
Stories will be used for either newsletter or reading on newsletter uses. publication is unfortunately unpaid at this time. writer retains all copyright except for singular publication rights.
we are also looking for poetry and art for the same reason. again author or artist retain all copyright except for singular publication rights. should we choose to use it for an anthology in the future we will come back to discuss it with you.
we are currently screening for poetry chapbooks and children’s books. this year we have limited other genres.
We are looking for stories, poetry, and art about being a pirate on the seas. or dealing with pirates. we are looking for the heroic and dashing, the dangerous and epic. All genres are welcome, as long as they follow the theme. Requirements: Story word count Minimum 3k – maximum 6k Flash Fiction word count max: 1000 Art/Photography: up to five must be printable quality Poetry/Haiku: up to 5 each per topic ~~ Submissions email to Faecorpspublishing@gmail.com with a subject of Across the Stolen Seas Submission is to be sent as either an attachment or Google Docs Link.
Due by: August 1st, 2026 Specific Theme Story/Flash Fiction/Poetry/Art/Haiku/Photography.
Currently, there are 9 story slots and 10 slots for art/poetry, etc.
We may if we receive enough quality submissions decide to open up more volumes to accommodate more openings.
This is a paid anthology. You will if you get in receive a portion of the royalties…however you will be expected to assist in the marketing of the anthology. Editing is provided. If your story/poetry is in draft form it is still acceptable, however, it must be readable. Gore is acceptable, however, do keep it reasonable, no one wants to read gore for gore’s sake. We do not accept erotica at this time. We are here to showcase good indie authors and are more than willing to help those just getting started. We will accept stories that have been published before, as long as you retain publishing rights.
We use discord to facilitate the process of publishing the Anthology. if this is going to be an issue please let us know with your submission. it is not a deal breaker but it is necessary information.
If you have any questions feel free to ask.
This is for Kids Week Release. We are looking for children’s stories. And children appropriate art. and poetry. we are looking for fun kid friendly stuff for the Anthology.
All genres are welcome as long as it is kid friendly.Requirements:Story word count Minimum 1k – maximum 6kFlash Fiction word count max: 1000Art/Photography: up to five must be printable qualityPoetry/Haiku: up to 5 each per topic~~~~Submissions email to Faecorpspublishing@gmail.com with a subject of Madame Fae’s Tales Submission is to be sent as either an attachment or Google Docs Link.Due by: October 1st, 2026This is a unpaid anthology. You will get an eBook copy and access to the author copy link to order copies if you want.Specific Theme Story/Flash Fiction/Poetry/Art/Haiku/Photography.This is an unpaid anthology. Editing is provided. If your story/poetry is in draft form it is still acceptable, however, it must be readable. We are here to showcase good indie authors and are more than willing to help those just getting started.We will accept stories that have been published before, as long as you retain publishing rights. If you have any questions feel free to ask. please include a bio and either a picture or the word faery(so I can replace bio pic with a clip art faery)
Discord is used for file and anthology discussion. if this is a problem please let us know when you submit.
Fae corps publishing Does not Accept A.I. in anything we publish.
Books published by Fae Corps Publishing come with editing and cover design as well as marketing to assist you with getting your book sold.
So we often have friends releasing new books. And we love to recommend them. Here’s our book recommendations. We try to get it done every Saturday but we are busy so we may have missed a few.
Weeds and Stars By Lisa Rosenberg From the celestial to the ground beneath our feet, from supernovas and nebulas to dandelions and the beautiful mundanity of the everyday, Weed and Stars houses us in the living herbarium of its vibrant poetry.— Ariel Francisco Henriquez Cos, Judge, 2025 Hilary Tham Capital Collection PRE-ORDERS ONLY AT THIS TIME. RELEASE DATE IS APRIL 21.
About to Disappear by Robbi Nester About to Disappear is a poetry collection that explores the limits of ekphrasis; that is, descriptions and reflections on works of art in order to expand their meaning. The book is separated into four sections: Ex Nihilo, Adaptation, Law of Attraction, and Ad Nihilum. The first and final sections-translated as “from nothing, returning to nothing”-act as bookends. Ex Nihilo includes poems about imagination, optics, creation, and and development; while poems in the final section, Ad Nihilum, are about trauma, unmaking, climate change, and catastrophe. Poems in the middle sections are about artistic, psychological, and physical transformations, and natural history and community. Artworks included are from contemporary artists-as well as such artists as Vermeer, Grant Wood, John Singer Sargent, and Edward Hopper.
It’s Easy to Lose Your Breath by Kevin Risner Anchored by the first years of the Covid-19 pandemic, Kevin A. Risner’s debut full-length poetry collection It’s Easy to Lose Your Breath is both introspective and outward-facing, rippling from the poet’s inner life into family and friendships, work and unemployment, suburban life, and wildlife. The collection draws on daydreams and nightmares, small animals’ housecalls, and memories of childhood. Concerns about health and emotional well-being intermingle with the worries about what climate change will bring in a world hellbent on maintaining the capitalist status quo. Though not without that unbeatable Rust Belt hope, this is a collection that sits with the heavy weight of what the powers that be have done to the natural world and what it might take for ordinary people to survive in the years and decades to come. “It’s Easy to Lose Your Breath reflects on our collective quarantine year with a burgeoning hope in the face of dread’s drumbeat. It’s no surprise that Kevin A. Risner’s poems snap with a pulse from The National because both yearn for what could be (or for what could’ve been) amid bedraggled reality. ‘I’m the only human who weeps for this lone songbird,’ Risner writes, but his poetry connects us. We all feel, and weep, with Risner through his poems. With our hearts on our sleeves, we struggle as one with ‘[t]he knowledge that I can try my best and I might still fail.’ The year 2020 separated us, but It’s Easy to Lose Your Breath brings us together.” – Mitchell Nobis, author of The Size of the Horizon, or, I Explained Everything to the Trees
The Weather Inside by Stevie Edwards In The Weather Inside, Stevie Edwards measures the emotional atmosphere of a mind navigating bipolar disorder, complex PTSD, generalized anxiety disorder, and alcoholism while forging intimacy and creative resilience in a rapidly declining world. Both as someone who has struggled with mental health and as a feminist approaching middle age, Edwards interrogates parenthood and marriage: What forms of nurturing survive when traditional roles and certainties do not? Can bringing children into a collapsing world still be an act of hope? When your partner does not want children, where should you divert your surfeit of love? The poet grieves, “I am chanting the name of a daughter / my husband doesn’t want / enough, the child I’ve spent years / not being sure I deserved.” This fiercely honest and intimate collection offers a vision of adulthood shaped by the capacity to inhabit an embattled inner world. With clarity and dark wit, Edwards probes the uneasy border between solitude and connection, asserting the relationship between caring for oneself and caring for the wider world.
Where is the Green? by Carolyn Donnell The author/artist has paired her original artwork with her poetry in a way that makes you wonder which inspired the other. She writes both structured and unstructured verse, some poems as short (and deep) as haiku and others that meander from thought to thought, taking you along with them. There’s even a shaped poem…no spoilers, I’ll let you discover the image in the words for yourself.
i define myself watching from a distance, you can lose your whole life waiting to become;
and so i decided to believe in myself and my dreams—
for it didn't matter if others could see what i saw, only that i could get there;
because there's nothing this simulation can do to hold me back from becoming who i truly am—
i am magic, i am a melody, a poem, a song, i am the crow, the fox, the creek, the tree; i am immortal and i will never be forgotten no matter how many discard me—
i define myself although many others have tried, they don't know my heart or the mythology of these bones. -linda m. crate